
[Ad-gifted] I was at the New Vic Theatre in Newcastle-Under-Lyme last night to watch Steven Canny and John Nicholson’s acclaimed adaptation of The Hound of The Baskervilles.
The Hound of the Baskervilles was first published in 1902 – over 120 years ago – by which time its protagonist, Sherlock Holmes, had already become a household name. Sir Arthur Conan Doyle, probably somewhat irked by the popularity of his pipe-smoking, deer-stalker-wearing hero, attempted to kill off Sherlock Holmes but was thwarted by a public revolt. So in 1901 Sherlock was resurrected by Doyle for his lead role as detective to investigate the mysterious hound of the Baskervilles, a demon dog that stalked its prey in Dartmoor and had allegedly slain local dignitary Sir Charles Baskerville.
On arrival in Dartmoor, Sherlock Holmes has a tangle of clues and myths to navigate, including coveted inheritances, secret relations, nosey neighbours, an escaped convict named Selden and of course, a diabolical black hound.

The changing face of Sherlock Holmes
Last night’s performance is a comedy show based on these events. The evening kicks off with some subtle, chilling music and very effective stage lighting and presence. Then the actors break the fourth wall and we, the audience, are being addressed – are we scared? Do we want to leave now? It is of course, a repeated party of the comedy, but I felt this severance of the suspension of disbelief was abrupt.

The programme is a little work of art, with pretty illustrations of the costumes. The tone on stage was more vibrant, the costumes more pantomime, the acting well-executed yet close to slapstick. So popular is Sherlock Holmes that it only takes a few trademark props to immediately recognise him: his deerstalker, his pipe, the catchphrase ‘Elementary, my dear Watson.’ And his trusty sidekick, Dr Watson, is the perfect foil.
To be sure, some of us had come along expecting something different; this is a modern comedy production. Dr Watson is a woman – Alyce Liburd is the lively character who plays him. The four actors play different roles: Stage Manager Jerone Marsh-Reid did a great job of ‘blending in’ – even wearing a rock on his head! Tom Richardson played Sir Charles and doubled up as his heir later on. Alex Phelps was great in his role as Sherlock, and also rocked a pink dress as the sister (I can still hear the plaintive cry ‘Cecille!’). Yet the comedy is so packed with gags and comedy action (clothes that drop off, toy guns, rumbling props and more) that the original story is almost dragged along as an unwilling companion to the crazy onstage chaos.

The props need a mention. The rolling front door of 221B Baker Street was my favourite, and much use was made of it. There isn’t room at the New Vic for lots of stage props, but the carefully chosen few were more than enough. And the use of sound with mime was brilliant – allowing the opening of gates and doors that simply weren’t there.
This comedy could have hung its hat on any play of the era and still be pulled off… it wasn’t so much about the hound, or Sherlock, or Dr Watson… they were there to be sent up. The humour went in a different direction to what I was expecting, for sure. I heard a man above me gently tell his companions at the interval that it was ‘not my cup…’ Yet it was very funny for the right people – the guy to my right was guffawing in delight all the way through! Do go along for a good laugh at a barrage of gags! But be prepared, afficionados of the works of Sir Arthur Conan Doyle – this is not the story you might know it to be.

CAST
Alex Phelps – Sherlock Holmes
Alyce Liburd – Dr Watson
Jerone Marsh-Reid – Jay the Stage Manager
Tom Richardson – Sir Charles Baskerville
CREATIVES
Joyce Branagh – Director
Elizabeth Wright – Designer
John Harris – Lighting Designer
Lee Affen (Affen Audio) – Composer and Sound Designer
Nick Haverson – Physical Comedy Director
Beverley Norris-Edmunds – Choreographer
Anji Carroll – Casting Associate
PRODUCTION
Martin Thompson – Production Manager
Steve Hall – Company Stage Manager
Catherine Farish – Deputy Stage Manager
Olivia Tellier – Assistant Stage Manager
Molly Ferneyhough – Crew

How much are the tickets for The Hound of the Baskervilles ?
Tickets are on sale now, priced from £15 to £42.
How do I book tickets to watch The Hound of the Baskervilles ?
Tickets are now on sale and available from the Box Office, by calling 01782 717962 or visit the New Vic Theatre’s website here.
How long will The Hound of the Baskervilles be running for and what are the timings?
The Hound of the Baskervilles will run until Saturday, 14 March 2026 with evening shows at 7.30pm and Matinee at 2.15pm (on Saturdays). There is an interval after the first hour and the evening show roughly ends at 10pm.

Where is New Vic Theatre in Newcastle-Under-Lyme?
New Vic Theatre
Etruria Road
Newcastle-under-Lyme
Staffordshire
ST5 0JG
Parking and refreshments
The theatre has a large car park, with a £2.50 charge on show days (contactless card/phone payment made to the on-site attendant or cash payment inside the theatre). Additional parking is available next to the Borough Hotel, just down the road. Parking at the theatre is free before 6pm.
The theatre café is open 10am to 3pm, Monday to Saturday – then from 5.30pm for pre-show meals.
Booking is required for pre-show meals 5.30pm onwards via their booking system at this link.
About The New Vic Theatre
Founded in 1962, the New Vic is the producing theatre for Stoke-on-Trent and Staffordshire. With around eight major productions a year, its varied programme includes contemporary drama, new commissions, adaptations and classics. Recent productions have toured nationally and internationally, and have transferred to London and Manchester. The New Vic has developed extensive and award-winning community involvement. It works regionally, nationally and internationally through its education department and New Vic Borderlines, which aims to change the lives of the most disadvantaged members of the community. The New Vic is funded by Arts Council England, Newcastle-under-Lyme Borough Council and Staffordshire County Council.

Review by Metia Bethell
You may also want to read this:
Review: John Godber Company’s Teechers at New Vic Theatre
Review : A Matter of Life and Death at The New Vic Theatre
Review: The Three Musketeers at New Vic Theatre
Photo Credit: New Vic Theatre/Andrew Billington


18 comments
Finally a female Dr. Watson 🙂 I don’t mind a bit of variation from the lovely works of Sir Arthur Conan Doyle. After so many remakes, quite a bit of variation is merited.
Agree Maria, but you would still need to watch it to decide for yourself if you loved it or not
How fun! I would never have thought of turning The Hound of the Baskervilles into a comedy like that. I’d love to see it.
Exactly, it was something so different and unexpected
This sounds like such a fun play! I love that quirky twist on a classic. I can’t wait to check it out.
Please do Ben, it was indeed quirky
The costumes look like they are just as fun as the play, what a loveluy idea to turn a classic into a comedy. I would definitely love to see this
They were just superb and stunning as well and the talent on stage was equally as good
It looks like stepping into an art gallery, not a theater. I loooove the costumes, the decor, everything. I would love to see it in person.
It absolutely was and the costume changes were simply amazing
My favorite author and my favorite book! I wish I could visit this show, too. Thanks for sharing your impressions!!!
You are so welcome
Breaking the fourth wall that early would definitely feel a bit jarring when you are expecting a mystery. Beyond that, the idea of Watson being played by a woman is a really cool modern update. I bet the slapstick energy made for a wild night out though.
It did indeed for those loving the change but not for the traditionalist
It is interesting to hear that the humor surprised you! Sounds like a good play.
It was but so different to the original story
not knowing what to expect from this particular adaptation, the eerie start intrigued me and then initially caught me by surprise and then with the injection of humour I felt we were I for a treat. However, the plot got lost and the confusion between being a spoof and/ or serious adaptation became quickly tiresome. The cast were undoubtedly talented and their timings were superb but the whole thing left me feeling that the show had a touchnof ” Kings new clothes” about it. I left, disappointed 😞
Sorry to hear that Chris, I have to agree with you in some areas as the adaptation was so different to what I was expecting